Sonia, the daughter of a rich father, is in love with Sunny, an orphan. Her father knows that Sonia is in love with Sunny but doesn't quite favour him because of his poor financial status. Things go upside down when a mentally unstable girl enters the life of Sunny.

The once happy couple, Prakasan and Sujatha bicker, and fight after the arrival of the orphan child. What is the reason?

The film tells the story of Alphonso, a man who chooses to suffer a slow, torturous life in his little village, Mahe, in preference to fortunes and pleasures away from it.

Othenente Makan is a 1970 Indian Malayalam film, directed and produced by Kunchacko. The film stars Prem Nazir, Ragini, Sathyan, Sheela and Kaviyoor Ponnamma in lead roles. The film had musical score by G. Devarajan

Harishchandran wants to get his daughter married, but the thought of her leaving the house breaks his heart. So, he decides to find a groom who is ready to stay in his home after the wedding.

Daivathinte Swantham Cleetus revolves around Cleetus (Mammootty), a dreaded long-haired rogue. He surprises the parish priest (Siddique) by his uncanny resemblance to Jesus Christ in looks and mannerisms. He is roped in by the priest for the role of Jesus Christ for a light and sound show for their upcoming festival. His real self comes to the fore during rehearsals. The fact that he is a goon is revealed, yet the priest decides to persist with him in the belief that the experience of performing the noble character will lead to his transformation. Things change in the life of Cleetus after that. Events that occurred in the life of Jesus Christ start occurring in the life of Cleetus too. What happens to Cleetus and the people surrounding him form the rest of the story.

A skit on Jesus Christ brings out a change in good-hearted rowdy Cleetus along with revealing few surprises of his nature and his relationship with a neighborhood tailor.

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

A man (K Boban) returns to his native village to claim his father's property. But his time in the village is complicated by his parents relatives and friends.